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A Catholic church inside a Protestant church

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Pope Joan
Billy Williams Film-maker
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After Sunday Bloody Sunday my next film was Pope Joan, which was a... a medieval drama of a woman who legendarily became Pope and we had a marvellous cast with Liv Ullman, Franco Nero, Maximilian Schell and Olivia de... Olivia de Havilland playing the mother superior in a very regal style; lovely lady and the only surviving cast member of that time from Gone with the Wind. And... we had a lovely cast and beautiful sets by Elliott Scott, but the picture... it wasn't a bad picture but it... it didn't... it didn’t do much commercially.

Billy Williams, London-born cinematographer Billy Williams gained his first two Oscar nominations for the acclaimed “Women in Love” and “On Golden Pond”. His third nomination, which was successful, was for the epic “Gandhi”. He was President of the British Society of Cinematographers, and was awarded the Camera Image Festival’s Lifetime Achievement Award in 2000.

Listeners: Neil Binney

Neil Binney began working as a 'clapper boy' in 1946 on spin-off films from steam radio such as "Dick Barton". Between 1948-1950 he served as a Royal Air Force photographer. From 1950 he was a Technicolor assistant technician working on films such as John Ford's "Mogambo" (photographed by Freddie Young), Hitchcock's "The Man Who Knew Too Much" (Bob Burke), and Visconti's "Senso" (G.R. Aldo/B. Cracker). As a camera assistant he worked on "Mind Benders", "Billy Liar" and "This Sporting Life". Niel Binney became a camera operator in 1963 and worked with, among others, Jack Cardiff, Fred Tammes and Billy Williams. He was elected associate member of the British Society of Cinematographers in 1981 and his most recent credits include "A Fish Called Wanda" and "Fierce Creatures".

Duration: 42 seconds

Date story recorded: September 2003

Date story went live: 24 January 2008