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Personal reflections after Rough Treatment

RELATED STORIES

Rough Treatment: The actors
Andrzej Wajda Film-maker
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Myślę, że i tym razem szczęśliwa obsada zadecydowała o tym, że film Bez znieczulenia nie stał się tylko filmem politycznym. tylko nabrał jakiegoś życia, jakiejś... jakiejś osobistej tragedii tych ludzi. Bo z jednej strony Zbigniew Zapasiewicz, ale z drugiej strony Ewa Dałkowska, która grała żonę. Muszę powiedzieć – zagrała w sposób bardzo taki zdumiewający. Tak że wszystko to razem i niema rola Krystyny Jandy, bardzo taka niespodziewana. Muszę powiedzieć, że gdyby nie moje długie doświadczenie, nigdy bym się na to nie zdecydował. Agnieszka napisała jej cały szereg dialogów, no ale ona w pierwszej scenie pominęła te dialogi i nic nie mówi, w drugiej scenie też się nie odzywa. I ja się pytam, wołam ją i mówię: 'Krysia, ty masz zamiar w ogóle nic nie mówić w tym filmie?' Ona mówi: 'Tak'. I zdziwiło mnie to lekko. Mówi: 'Zobaczysz, będzie lepiej, nic się nie będę odzywać'. No i tym sposobem wszyscy coś mówili, zwłaszcza, że w politycznym filmie wszyscy bezustannie coś mówią, bo nie ma innego sposobu, żeby zrobić film polityczny. No to taka osoba, co nic nie mówi, bardzo się jakby z tego wyrysowuje wyraźnie. I muszę powiedzieć, że tutaj jej instynkt aktorski był niezawodny. Zachwyciłem się tym. No i momentalnie zrozumiałem, co ona do mnie mówi, że nie chce mówić dialogu.

I believe that this time a successfully chosen cast determined that Rough Treatment wasn't just a political film, but one which took on a life, the personal tragedy of these people. On the one hand, there was Zbigniew Zapasiewicz and on the other there was Ewa Dałkowska who plays the wife. I have to say that she played this role in an astonishing way. So all of this taken together, and the mute role of Krystna Janda which was very surprising. I have to say that if it wasn't for my long experience, I would never have decided on this. Agnieszka had written several dialogues, but in the first scene Krystyna ignored them and said nothing and then in the second scene she stayed silent, too. So I asked her and said, 'Krysia, do you intend to remain silent throughout the whole film?' 'Yes', she said. I was a bit surprised. 'Because I saw that this way, it would be better. I won't say anything.' In this way, everyone had something to say, especially since in a political film everyone is constantly talking because there's no other way to make a political film. But someone who says nothing stands out very clearly. I have to say that here, her actor's instict was 100% correct. I was delighted with this. I immediately understood what she was saying to me by not wanting to say her lines.

Polish film director Andrzej Wajda (1926-2016) was a towering presence in Polish cinema for six decades. His films, showing the horror of the German occupation of Poland, won awards at Cannes and established his reputation as both story-teller and commentator on Poland's turbulent history. As well as his impressive career in TV and film, he also served on the national Senate from 1989-91.

Listeners: Jacek Petrycki

Cinematographer Jacek Petrycki was born in Poznań, Poland in 1948. He has worked extensively in Poland and throughout the world. His credits include, for Agniezka Holland, Provincial Actors (1979), Europe, Europe (1990), Shot in the Heart (2001) and Julie Walking Home (2002), for Krysztof Kieslowski numerous short films including Camera Buff (1980) and No End (1985). Other credits include Journey to the Sun (1998), directed by Jesim Ustaoglu, which won the Golden Camera 300 award at the International Film Camera Festival, Shooters (2000) and The Valley (1999), both directed by Dan Reed, Unforgiving (1993) and Betrayed (1995) by Clive Gordon both of which won the BAFTA for best factual photography. Jacek Petrycki is also a teacher and a filmmaker.

Tags: Rough Treatment, Zbigniew Zapasiewicz, Ewa Dałkowska, Krystyna Janda, Agnieszka Holland

Duration: 1 minute, 35 seconds

Date story recorded: August 2003

Date story went live: 24 January 2008