a story lives forever
Sign in
Form submission failed!

Stay signed in

Recover your password?
Form submission failed!

Web of Stories Ltd would like to keep you informed about our products and services.

Please tick here if you would like us to keep you informed about our products and services.

I have read and accepted the Terms & Conditions.

Please note: Your email and any private information provided at registration will not be passed on to other individuals or organisations without your specific approval.

Video URL

You must be registered to use this feature. Sign in or register.


My first marriage


Writing fiction as auto-psychoanalysis
Carl Djerassi Scientist
Comments (0) Please sign in or register to add comments
The name "Cantor’s Dilemma", I had not realised until the book already came out in Penguin paperback- the book has now been reprinted some seventeen or eighteen times, but the initials of the book are my initials. I literally did not know this. All kinds of people thought that that was why I picked it- CD, Carl Djerassi. I did not, yet unconsciously it really means something. If CD means anything to me, these initials, they mean circular dichroism and this is one of the scientific areas in which I did an awful lot, so there are lots of people who would associate my name with circular dichroism, and that is a CD- and the abbreviation in science is CD, not because of Carl Djerassi but because of circular dichroism. So, I was unaware of that. But then I wrote another four novels. I’ve written altogether five. And already by the time I got to the second one, "The Bourbaki Gambit", which also happens to be my favourite of the novel that I’ve written, I realized that that is why I am writing two autobiographies in my fiction, because that fiction is a form of auto-psychoanalysis, and I think that's what is probably the most intellectual fiction writers- although some of them would not admit it or don’t recognize it, but there are others- and I’ve forgotten who said it, some famous writer said, every novelist is an autobiographer wearing a mask. In my case, there’s no question that this is the case and that is why I eventually continue writing fiction, and why I am writing plays now. They are really my ongoing auto-psychoanalysis. Now, most psychoanalysts will tell you that’s impossible. You need an analyst and an analysand, but I can only say these psychoanalysts have never written fiction or plays, or they wouldn’t say that. Or maybe it’s their naïveté of Carl Djerassi who’s never been in therapy, so therefore this is my view of therapy. But I would say it is an extremely interesting process because I learn a hell of a lot about myself, and in the process, correct my Who’s Who even though it’s not the real "Who's Who"- I mean the limited "Who is Who" and the compendium, but the "Who's Who", the ongoing- because "Who's Who" is just a record of a person’s life, in a completely reduced abstracted staccato fashion, but nevertheless that’s what it is, and usually you don’t correct that. I correct it all the time, because I learn more about it. And I’ve also corrected therefore for my own "Who's Who" entry.

Austrian-American Carl Djerassi (1923-2015) was best known for his work on the synthesis of the steroid cortisone and then of a progesterone derivative that was the basis of the first contraceptive pill. He wrote a number of books, plays and poems, in the process inventing a new genre, 'science-in-fiction', illustrated by the novel 'Cantor's Dilemma' which explores ethics in science.

Listeners: Tamara Tracz

Tamara Tracz is a writer and filmmaker based in London.

Tags: Cantor's Dilemma, The Bourbaki Gambit

Duration: 3 minutes, 12 seconds

Date story recorded: September 2005

Date story went live: 24 January 2008