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Remembering dialogue
Walter Lassally Film-maker
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Every film, well not every film but a lot of films have a scene in them where there's some little bit of dialogue which sort of sticks, and you remember it years afterwards, when you come into a situation. And there was a- here was a scene in this film where the father comes home and he finds that his son has misbehaved, in his opinion he's misbehaved, and this Greek actor, speaking with a fairly heavy Greek accent says, in English, something with- I cannot see my son look like a paliopaido. He says, I come home, I'm tired, I'm exhausted, and what do I find, my son has behaved like, like a paliopaido! I can think of several- I can think of several other instances where there's a phrase which sort of sticks in the mind which characterises that particular film.

Born in Germany, cinematographer Walter Lassally (1926-2017) was best known for his Oscar-winning work on 'Zorba the Greek'. He was greatly respected in the film industry for his ability to take the best of his work in one area and apply it to another, from mainstream to international art films to documentary. He was associated with the Free Cinema movement in the 1950s, and the British New Wave in the early 1960s. In 1987 he published his autobiography called 'Itinerant Cameraman'.

Listeners: Peter Bowen

Peter Bowen is a Canadian who came to Europe to study and never got round to heading back home. He did his undergraduate work at Carleton University (in Biology) in Ottawa, and then did graduate work at the University of Western Ontario (in Zoology). After completing his doctorate at Oxford (in the Department of Zoology), followed with a year of postdoc at the University of London, he moved to the University's newly-established Audio-Visual Centre (under the direction of Michael Clarke) where he spent four years in production (of primarily science programs) and began to teach film. In 1974 Bowden became Director of the new Audio-Visual Centre at the University of Warwick, which was then in the process of introducing film studies into the curriculum and where his interest in the academic study of film was promoted and encouraged by scholars such as Victor Perkins, Robin Wood, and Richard Dyer. In 1983, his partner and he moved to Greece, and the following year he began to teach for the University of Maryland (European Division), for which he has taught (and continues to teach) biology and film courses in Crete, Bosnia, and the Middle East.

Duration: 1 minute, 2 seconds

Date story recorded: June 2004

Date story went live: 24 January 2008