I must say that I'm rather proud of the close-ups of Angela in that movie because she was no longer 40, let's say, and there's a bedroom scene, which is very funny actually, 'cos at one point you start off on a pink dressing gown, on the back of it, and you think it's her and she walks away- the figure walks away from camera and it turns out that it's him. It's Michael York who's wearing the pink dressing gown and she's in bed. They've just made love and, in the prelude to that scene- at the beginning of that scene, there's some very nice close-ups of Angela, which I'm a bit proud of. The film was made, as all my films, were shot through either this net or the star filter which followed the net, and later on again, Tiffin developed another filter which was called Soft Net, which was based on the idea of the net. It was like a net within glass. And that particular type of filter has the advantage that it softens the image. It gives you a degree of diffusion which is nice for the close-ups of the faces and so on. And it also pastelises the colour. And in that- particularly in that bedroom scene there's some very nice pastelised colour and some very nice close-ups.