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Father's jobs


Walter Lassally Film-maker
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I wanted to show you, I still have my Kinderpass. This is my passport, my children's passport. It's just a sheet of paper with two sides to it, and on the back there's a J, there's a red J, which means Jew, and I was given the additional name, Israel. All the men, all the males were given an additional name, Israel. So here it says, Lassally, Walter Israel. And, all the women were called Sarah. So my mother was called Adella Sarah Lassally, and my father, Arthur Israel Lassally. Yet another tag to make sure that people didn't miss the fact that you were Jewish.

Then at the bottom here, it says, upside down actually, it says, 'Permitted to land', I really need glasses, but I know more or less what it says, 'permitted to land at Dover on 27/6/1939 on condition that the Holder', then something is crossed out, oh, yes, it says, 'registers at once with the police', which is crossed out, for some reason, yeah... because I was a child. So, 'on condition that the Holder register at once with the police', which is crossed out, 'does not remain in the United Kingdom longer than 12 months and does not enter any employment, paid or unpaid'. Voila!

Born in Germany, cinematographer Walter Lassally (1926-2017) was best known for his Oscar-winning work on 'Zorba the Greek'. He was greatly respected in the film industry for his ability to take the best of his work in one area and apply it to another, from mainstream to international art films to documentary. He was associated with the Free Cinema movement in the 1950s, and the British New Wave in the early 1960s. In 1987 he published his autobiography called 'Itinerant Cameraman'.

Listeners: Peter Bowen

Peter Bowen is a Canadian who came to Europe to study and never got round to heading back home. He did his undergraduate work at Carleton University (in Biology) in Ottawa, and then did graduate work at the University of Western Ontario (in Zoology). After completing his doctorate at Oxford (in the Department of Zoology), followed with a year of postdoc at the University of London, he moved to the University's newly-established Audio-Visual Centre (under the direction of Michael Clarke) where he spent four years in production (of primarily science programs) and began to teach film. In 1974 Bowden became Director of the new Audio-Visual Centre at the University of Warwick, which was then in the process of introducing film studies into the curriculum and where his interest in the academic study of film was promoted and encouraged by scholars such as Victor Perkins, Robin Wood, and Richard Dyer. In 1983, his partner and he moved to Greece, and the following year he began to teach for the University of Maryland (European Division), for which he has taught (and continues to teach) biology and film courses in Crete, Bosnia, and the Middle East.

Tags: Dover, Richmond

Duration: 1 minute, 25 seconds

Date story recorded: June 2004

Date story went live: 24 January 2008